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	<title>Ripple - an online journal of the arts &#187; Brad Efford</title>
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		<title>Brad Efford, &#160;&#160;For Andre Breton, who once said that everything is inestimably easy.</title>
		<link>http://ripplejournal.org/2009/04/28/for-andre-breton-who-once-said-that-everything-is-inestimably-easy-brad-efford/</link>
		<comments>http://ripplejournal.org/2009/04/28/for-andre-breton-who-once-said-that-everything-is-inestimably-easy-brad-efford/#comments</comments>
		<pubDate>Tue, 28 Apr 2009 15:03:42 +0000</pubDate>
		<dc:creator>Ellie</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Brad Efford]]></category>

		<guid isPermaLink="false">http://ripplejournal.org/?p=187</guid>
		<description><![CDATA[In the back of your mind there are villains stealing silence from shadows, there are warm wet bodies pressing on burning brick walls holding their breaths held in place by pushpins, held sturdy in place by the fear of recognition, of appearance. In cold cobwebbed cellars underneath the back of your mind, the far back [...]]]></description>
			<content:encoded><![CDATA[<p>In the back of your mind<br />
there are villains<br />
stealing silence from shadows,<br />
there are warm wet bodies<br />
pressing on burning brick<br />
walls holding their breaths<br />
held in place by pushpins,<br />
held sturdy in place<br />
by the fear of recognition,<br />
of appearance.</p>
<p>In cold cobwebbed cellars<br />
underneath the back<br />
of your mind, the far back<br />
corner of your mind<br />
there is hot ambition combusting,<br />
bubbling over lips of<br />
clean concrete crates,<br />
there is a new collection<br />
each moment of moments<br />
unsorted, unembellished,<br />
there are villainous words<br />
holding blades to each other<br />
at the throat – whispering<br />
sharp eager threats, fighting<br />
for belief &amp; release.</p>
<p>In the strange sturdy valves<br />
of your heart there pump<br />
poems that will never be read,<br />
beat rhythms you only hear<br />
in your head,<br />
bleed language that hasn’t been said.</p>
<p>In wanton fingers<br />
sit stories you’ve been through<br />
before, are not waiting<br />
to be seen but making<br />
this happen:<br />
there is a soft pretty girl<br />
with her brother sharing<br />
pictures with one another<br />
downtown,<br />
&amp; when they get up to go<br />
she walks quickly ahead,<br />
eyes down where she steps<br />
not slowing for him<br />
to keep pace.</p>
<p>In the back of your mind<br />
there are thugs<br />
without faces writing<br />
words in the blank<br />
bathroom stalls. There are<br />
great banners that read<br />
DREAM THROUGH THE NIGHT,<br />
DO NOT LET SLEEP<br />
AWAKEN YOUR NIGHT,<br />
NEVER OPEN YOUR EYES<br />
AND GET DRUNK ON<br />
THE NIGHT –</p>
<p>there are sleeping in the back<br />
of your mind pistons with<br />
crippled hind legs, frost<br />
snorting from the holes on their faces,<br />
teeth bared &amp; broken &amp; white.</p>
<p>In the black bright patch<br />
behind your eyes<br />
there is you, blinking<br />
speechless &amp; barren,<br />
building dreams in the night,<br />
trailing empty banners<br />
of sleep, catching villains<br />
&amp; thugs, sisters &amp; brothers,<br />
youth captured in full –<br />
in the corners, in the walls,<br />
in the pitch of the vast dim<br />
back of your mind.</p>
]]></content:encoded>
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		<title>Brad Efford, &#160;&#160;For Fairfield, Alabama, and all that began there.</title>
		<link>http://ripplejournal.org/2009/04/28/for-fairfield-alabama-and-all-that-began-there-brad-efford/</link>
		<comments>http://ripplejournal.org/2009/04/28/for-fairfield-alabama-and-all-that-began-there-brad-efford/#comments</comments>
		<pubDate>Tue, 28 Apr 2009 15:00:02 +0000</pubDate>
		<dc:creator>Ellie</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Brad Efford]]></category>

		<guid isPermaLink="false">http://ripplejournal.org/?p=190</guid>
		<description><![CDATA[I’m tired of poems that can be described With just one word, I’m tired of books That need a blurb to sell themselves, I want a product that does more than it says. I want the end of the earth on a platter, For all of this to matter it would take a miracle That [...]]]></description>
			<content:encoded><![CDATA[<p>I’m tired of poems that can be described<br />
With just one word, I’m tired of books<br />
That need a blurb to sell themselves,<br />
I want a product that does more than it says.</p>
<p>I want the end of the earth on a platter,<br />
For all of this to matter it would take a miracle<br />
That would cost a lifetime of yeses<br />
And nos that none of us have,</p>
<p>It would take more than what belongs to us<br />
To sort out the difference between a beam<br />
And a truss, to raise high the studs and kings<br />
Of a stiff hammered wall, straight enough</p>
<p>That we trust it will never fall over, or<br />
Splinter and keel in the strongest of winds,<br />
The stiff-backed spine, leather hands<br />
Of a man the color of the Appalachians. The sounds</p>
<p>That he makes are whistling songs<br />
From a whittling stick, the scrape of an end<br />
Without means we will never forget.  I’m tired<br />
For the scourge of blue Virginia’s lost</p>
<p>Who clamor up roadsides relying on faith<br />
And the balls of their feet to bring them home<br />
With more coal in the bag than was there<br />
When they came, I’m afraid that they fear</p>
<p>And trust that they don’t.<br />
I want a line of work that scabs my dry hands,<br />
A day so long we use lighters to find our keyholes,<br />
Memories I never had but wish were my own –</p>
<p>I’m tired of sashaying, relieved<br />
Every day instead of reliving, I’m tired of not being<br />
Tired when I wake.  Where are the ends of my earth?<br />
The beginning of me was more than I’m worth.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Brad Efford, &#160;&#160;For fruit.</title>
		<link>http://ripplejournal.org/2009/04/28/for-fruit-brad-efford/</link>
		<comments>http://ripplejournal.org/2009/04/28/for-fruit-brad-efford/#comments</comments>
		<pubDate>Tue, 28 Apr 2009 14:55:23 +0000</pubDate>
		<dc:creator>Ellie</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Brad Efford]]></category>

		<guid isPermaLink="false">http://ripplejournal.org/?p=185</guid>
		<description><![CDATA[This is the way I’ve started eating oranges: Each half in fourths, it’s a dance of peeling The bitter bark away from the meat Piece by piece. This is how it is with bananas: Browning they’re halved and one Is cut for a bowl of oat cereal, the other Is stripped completely before eaten bite [...]]]></description>
			<content:encoded><![CDATA[<p>This is the way I’ve started eating oranges:<br />
Each half in fourths, it’s a dance of peeling<br />
The bitter bark away from the meat<br />
Piece by piece.  This is how it is with bananas:<br />
Browning they’re halved and one<br />
Is cut for a bowl of oat cereal, the other<br />
Is stripped completely before eaten bite by bite.<br />
With apples I make platters for cheese,<br />
Grapefruits I have spent my life believing<br />
I hated, but these days if cut right with sugar<br />
There is no equal taste on my tongue.<br />
This is how I started seeing fruit in girls:<br />
The decisions for dissection, the angle<br />
Of the cut determining the evenness<br />
Or the level of how well we know one another.<br />
These are the palms moistened<br />
By uncertainty, the citrus spilling thoughtlessly<br />
Into the crevices we find so thrilling there.</p>
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